DISGUISE THE LIMIT

Curated by John Yau

September 7 – September 28, 2025

Opening September 7, 4-8

M. David & Co.

at ART CAKE

(Gallery B)

Featuring works by

Lynn Basa

Kate Brown

Robin Dintiman

Carrie Johnson

Eric Laverty

Jennifer Mawby

Zoë Elena Moldenhauer

M. Pettee Olsen

Patricia Tewes Richards

Sam Shaffer

Scott Sherman

Robert Solomon

Maya Strauss

Ali Vaughan

Lindy Wood

ART CAKE | 214 40th St, Brooklyn, NY 11232

| Hours: Friday & Saturday, 1-6 pm and by appointment — 410 591 6188 |

DISGUISE THE LIMIT

— DISGUISE THE LIMIT, a group show curated by John Yau — fifteen artists’ unique interpretations of poetry through visual art are brought to catalyzing effect, on view at ART CAKE (Gallery B). Many thanks to YCS founder, Michael David, and artist Astrid Dick, who have brought this collaboration to a catalyzing effect on view in Art Cake’s Gallery B. Opening September 7, from 4-8 pm. September 7 – September 28, 2025.

M. David & Co. is pleased to present Drawing In, Drawing Out (Gallery A), a group exhibition of works by Thornton Dial, Steve DiBenedetto, Joanne Greenbaum, Harriet Korman, Joshua Neustein, Thomas Nozkowski, David Reed, Michelle Segre, and Gary Stephan.
Curated by John Yau at Art Cake

In Tandum ( in Gallery B),
M. David & Co. is pleased to present works by Lynn Basa, Kate Brown, Robin Dintiman, Carrie Johnson, Eric Laverty, Jennifer Mawby, Zoë Elena Moldenhauer, M. Pettee Olsen, Patricia Tewes Richards, Sam Shaffer, Scott Sherman, Robert Solomon, Maya Strauss, Ali Vaughan, and Lindy Wood. Disguise the Limit exhibition, A Selection of Works from John Yau’s Symposia! Curated by John Yau, this group exhibition brings together fifteen artists, following an intensive studio and virtual-based program with esteemed poet and art writer, John Yau.

September 7 – September 28, 2025
Opening reception: Sunday, September 7, 4-8 pmArt Cake: 214 40th Street, Brooklyn, NY 11232
Hours: Friday & Saturday, 1-6 pm and by appointment 

Tandem exhibitions curated by John Yau at ART CAKE

Corporate Collection

Falling Away, 2024, synthetic polymer and mica-based paint on canvas, 60 x 144 ” installed as part of a corporate collection, New York, New York.


M. Pettee Olsen embraces luminous surfaces, mark-making vitality, and diverse painting methods to address the changeable nature of perception and subvert absolutist narratives through color and light.

— Artforum

Corporate Collection

Yellow Slip (with Value Scale), installed as part of a corporate collection, New York, New York

M PETTEE OLSEN

SHIFT

April 13- May 4, 2024

Opening April 13, 5-7

Artist talk Sunday April 14, 3-4

Garrison Art Center

Garrison Art Center | 23 Garrison’s Landing, Garrison, NY 10524 | info@garrisonartcenter.org | Tel: 845.424.3960

SHIFT, Garrison Art Center, The 60th Anniversary

SHIFT — Paintings by M. Pettee Olsen, a solo exhibition featuring large paintings of the artist’s wide-ranging visual vocabulary. Curated by Meg Hitchcock with exhibition design by Kate Cahill. SHIFT, April 13 — May 5, 2024, Garrison Art Center, 23 Garrison Landing, Garrison, New York. Galley Talk, April 14, 2024

Sweeping brushstrokes are at once spontaneous and choreographed, suggesting a painter who confidently engages her whole body in the creative process…

— Meg Hitchcock

IMPLODING MEANING

Curated by Monica Church

The James Palmer Gallery, Vassar College

James Palmer Gallery | 124 Raymond Avenue, Poughkeepsie, New York 12604

ELEMENTAL FICTIONS

Curated by Jessica Nissen and Lowell Boyers

The Coral Door

ELEMENTAL FICTIONS

ELEMENTAL FICTIONS, Curated by Jessica Nissen and Lowell Boyers. Artists include: Rene Bouchard, Kevin Pyle, Jessica Nissen, Karen Margolis, M Pettee Olsen, Jane Fine, Jeff Quinn, Samantha Keely Smith, and Lowell Boyers. THE CORAL DOOR, 15 8th Ave, West Village, NYC 10014

THINGLY AFFINITIES

— Rethinking Aesthetic Form for a Posthumanist Future – THINGLY AFFINITIES online symposium directed by Taney Roniger, New York, New York, was an invitational event exploring the ways artists are breaking new ground in form and content, while “de-centering the human.” December 4-13, 2020

WOMEN IN ABSTRACTION

Opening Friday, June 14th, 6-9

June 14 – July 27, 2019

William Havu Gallery

William Havu Gallery | 1040 Cherokee Street, Denver, CO 80204 |

WOMEN IN ABSTRACTION

— WOMEN IN ABSTRACTION, The William Havu Gallery, one of Denver’s oldest and most well-known contemporary galleries, represents a long list of established and emerging artists. Women in Abstraction features works from six highly acclaimed artists. This group show includes: Monroe Hodder, Amy Metier, Lola Montejo, M. Pettee Olsen, Laura Wait, and Sheryl Zacharia

 Striking and beautifully conceived.

—Michael Paglia, WestWord


ARTnews — UCROSS FOUNDATION names artists-in-residence for Spring 2019

CO ABSTRACT +10

CO ABSTRACT +10, an Invitational curated by Collin Parson, THE ARVADA CENTER FOR THE ARTS, Arvada, Colorado. September 12 – November 17, 2019 (pictured at the entrance (left) is a permanent installation wall by Vito Acconci. (Right) M Pettee Olsen was among the 36 artists in this survey that filled the museum.

 …polymer-layered canvases that are painted in broadly brushed swaths of organic tangles, drips and markings she calls “edits.”

—Susan Froyd, WestWord

COALESCE | Group Exhibition

COALESCE, The gallery’s final show, led by Denver’s legendary gallerist Tina Goodwin, Goodwin F/A, 1225 Delaware Street, Denver, Colorado

COALESCE — GOODWIN F|A

The show also reveals Goodwin’s interest in contemporary abstraction… Among the artists in this group are Margaret Pettee Olsen…

—Michael Paglia, WestWord review

RELAY — Paintings by M Pettee Olsen

Curated by Stephanie Grilli

Opening November 1, 6-9

Novemeber 1 – November 30, 2019

808 PROJECTS

808 Projects | 808 Sante Fe Drive, Denver, CO 80204 |

RELAY — Paintings by Margaret Pettee Olsen

RELAY — Paintings by Margaret Pettee Olsen, curated by art historian Stephanie Grilli, Yale PhD, was well received by the press. 808 Projects, now permanently closed, was an independent curator-run Gallery in downtown Denver, Colorado.

—Stephanie Grilli, Art historian and curator PhD Yale

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